Review of Wendell Berry poems performed by Dawn Upshaw

The cycle, setting poems by Jaeger’s fellow Kentuckian, the environmental activist, poet and farmer Wendell Berry, was accompanied by violin, mandolin, clarinet and double bass. It opened with harsh pizzicato notes on the violin — an overly familiar world of dissonance.

The most lyrical moment was accompanied by violin, mandolin and bass used as percussion instruments. Moments of Appalachian folk music, played on the mandolin, only emphasized the overall lack of melody.

via startribune.com


Wendell Berry composer profiled

"Celebrating Wendell Berry in Music" took seven years to make, which means Maxfield, 32, has devoted much of his young life to commemorating Berry’s legacy as an American treasure. A man of letters and environmental activism, Berry has influenced numerous Utah writers from Terry Tempest Williams to Pulitzer Prize-winning author Wallace Stegner. The latter was also Berry’s mentor.

"[Berry] had a disproportionately large impact on my professional development," said the soft-spoken Maxfield, whose spectacles partially obscure the gleaming curiosity in his eyes. "Though I’m not the first person to write music about him, this is the first project of its kind in its scope."

via www.sltrib.com


Wendell Berry works to be performed May 13

The poetry of Wendell Berry hit Congregation Solel pianist Philip Orem close to home, which is why he was moved to compose a song cycle dedicated to his works.

That composition will have its world premiere at Solel in Highland Park on May 13 at 7:30 p.m.

"An Evening of American Song," which is free and open to the public, will feature the Berry song cycle as well as the premiere performance of a song cycle dedicated to the poetry of Langston Hughes.

Orem will accompany soprano Elizabeth Gray and baritone Warren Fremling, who also serves as Solel's music director.

via chicagotribune.com


Florida chorale to perform Wendell Berry works

Exsultate!, a chorale located in Venice, Florida, has commissioned composer David Brunner to expand the collection of Wendell Berry poetry that he set to music.  Titled A Timbered Choir:  The Sabbath Poems, 1979-1997, the collection already included “The Circles of Our Lives," “The Wheel," and “We Clasp Hands."  First published in 1998, it can be sampled at http://davidbrunner.com/samples/music-for-mixed-choirs/

On April 14th, Exsultate! will perform the Berry-based pieces by David Brunner along with Randall Thompson's Frostiana.

Grace United Methodist Church, 400 East Field Ave. at Avenida del Circo, Venice, Florida

via Exsultate!


Wendell Berry's words and David Brunner's music

I have just been made aware of the work of David Brunner, composer and conductor. Dr. Brunner has composed music around several pieces by Mr. Berry and is apparently working on commissions for several others.

"The Wheel" is the title poem from the collection of that name. "The Circles of Our Lives" also comes from The Wheel and is a setting of "Song (for Guy Davenport)"—a.k.a "Song (4)" in New Collected Poems. "We clasp the hands" is taken from section IV of the essay "Healing" in What Are People For?"

Exsultate!, the Venice (FL) Chorale, has commissioned Brunner to compose new works based on the Sabbath Poems, to be called "Songs for a Timbered Choir." He has already produced one, "A Timbered Choir" based on "Slowly, slowly, they return," (I, 1986).

Some of this music can be sampled HERE at David Brunner's site.


Wendell Berry poem contributes to choral work, "Seven Songs for Planet Earth"

"A few years ago, while searching for a text for a piece commissioned by the Syracuse Vocal Ensemble, I came across some of Berry's poems," Kortekangas said. "Didn't know his work, had never heard of him, so it was 'love at first sight.' I think he's a great poet, a great thinker and somebody who lives the way he preaches, which is rare."

via washingtonexaminer.com


Richard Carlson spins Wendell Berry & others into blues

“Is it not possible that by calling to our aid the musical relation of
dissonance we may meanwhile have made the difficult problem of the
tragic effect much easier? For we now understand what it means to
wish to see tragedy and at the same time to long to get beyond all
seeing” -Nietzsche, The Birth of Tragedy XXIV

To try to make sense of a world in which fragile bodies collide with primal forces and inevitably fall is to do philosophy. To give voice to the many small truths of the world by allowing its suffering to speak out is to aspire to poetry. If the work of tragedy is to aestheticize suffering the blues was there at the birth of tragedy. While blues music fits within a world tradition of folk music it also shares a history with great literature, philosophy, poetry. Our project here is to begin to explore this shared history. r

credits
released 24 November 2010
Richard Carlson - Vocals, Guitar, Slide Guitar, Throat Singing 
Buddy Mohmed - Contrabass, Guitar

via richardcarlson.bandcamp.com

Mr. Carlson has set "Desolation" and "The Wheel" to music well worth hearing. His lyrics to the WB pieces and all the others as well can be found HERE.