Wendell Berry responds to Paul Krugman

And now, with the candidacy of Mr. Trump looming again upon the horizon, Mr. Krugman returns to the subject of rural America, inspired by a book entitled White Rural Rage: The Threat to American Democracy. In the five years since 2019, rural America has remained pretty much the same. So has Mr. Krugman, and so has his judgment of rural America. I know that to reply to Mr. Krugman’s repetition of his opinion with a repetition of my objection is probably a waste of time. And yet I know that Mr. Krugman, at least on the subject of rural America, speaks for urban America. And I know that those of us who speak for the country (“rural America”) must never give up.

Read all of "Wendell Berry: What New York Times Columnist Paul Krugman Gets Wrong About Rural America" at Barn Raiser.

UK mural lawsuit is dismissed

The controversial mural at the center of a lawsuit between the University of Kentucky and Wendell Berry must be maintained and cannot be removed, according to a court order filed Monday that also dismissed the lawsuit. The ruling comes after a years-long debate between students, administration and Berry over what should happen to the mural, which depicts Black workers — possibly slaves — planting tobacco and a Native American person wielding a tomahawk. Berry and his wife, Tanya, filed the lawsuit in Franklin Circuit Court in 2020 to halt the removal of the mural. Tanya is the niece of the mural’s artist, Ann Rice O’Hanlon.

Read all of "Judge dismisses Wendell Berry’s lawsuit against UK, but says controversial mural must stay" by Monica Kast at Kentucky.com.

Speaking of Wendell Berry's "The Need to Be Whole"

Wendell Berry responds to UK Mural Removal Plan

The new plan rests upon the university’s case against the fresco, which remains a flimsy rationalization, in several ways open to question. It ignores the fresco's considerable value and significance as a work of art, which has been attested by qualified critics, some of whom have been employed as such by the university. It has therefore the standing of an artwork of established worth. Insofar as the university has already publicized its disapproval of the fresco and concealed it from public view, and insofar as President Capilouto has expressed publicly his willingness to destroy it, and insofar as he and the university now assume willingly the risk of its destruction, the university is implicated in acts and threats of censorship. This appears to be a precedent that can be expanded without limit. If President Capilouto, largely on his own initiative, can define or sequester or endanger or destroy this fresco, what then can prevent him from forbidding an invited speaker to speak, or from forbidding any book to be assigned by a professor, or from removing a disfavored writer's books from the university library?

Read all of "UK's plan for Memorial Hall mural dishonors honest thought" by Wendell Berry at Lexington Herald Leader.

For more information on the history of this controversy see: "Wendell Berry files suit to prevent removal of UK mural."

An excerpt from Wendell Berry's upcoming book

I recommend second thoughts about the possibility of a “side” of love, but current political rhetoric tends toward such an absolute division. The side of hate is composed of avowed racists; avowed racists have espoused an absolute, un-excepting prejudice against a kind of people; and so they may be called “the side of hate” rightly enough. That haters hate is morally as straightforward and uncomplicated as it can be. But they themselves are perceived by the side of love as a kind of people. And the side of love, as perceived by the side of hate, is a kind of people also, another kind. And so we have a confrontation of two opposite kinds of people, lovers and haters, each side as absolute in its identity as it can make itself, and they do not know each other. They cannot imagine each other. For the haters, this situation is wonderfully simple and entirely acceptable. They don’t need even a notion of consequence. They are there to oppose. That is all. The lovers, on the contrary, have everything at stake and the situation is clouded by moral danger.

Read all of "Can Love Take Sides?" by Wendell Berry at Plough.

Wendell Berry speaks against development plans

Berry rued the placement of a large industrial operation "right in the middle of one of our finest agricultural landscapes," and Wayne went so far as to call Angel's Envy a "colonizer."

"This is a very sacred place that God made – it's called Henry County," he said.

Despite the opposition, the commission nonetheless approved the industrial rezoning of the property and the conditional use permit for the agritourism destination. in  The commission added binding elements to the development plans prior to approval that included certification of data and charts provided by Angel's Envy that concerned naturally occurring flora and ethanol concentrations related to generation of whiskey mold.

Read all of "Planning commission recommends Angel's Envy rezoning, Bourbon Trail development" by Robb Hoff in Henry County Local (12 August 2022).

Thinking About Wendell Berry's "Think Little"

In 1969 the agrarian writer, poet, and Kentuckian, Wendell Berry, published Think Little, a short essay dealing primarily with environmentalism and the principle of subsidiarity. I found it to be a well written and compelling piece. While it is brief, Berry’s essay contains striking observations that continue to be relevant in our own day.

As I began reading it, my immediate thought was how little has changed. This short essay could easily have been written yesterday. “First there was Civil Rights, and then there was the War, and now it is the Environment. The first two of this sequence of causes have already risen to the top of the nation’s consciousness and declined somewhat in a remarkably short time.” While the Civil Rights Movement itself has passed, the issue of race has again come to the forefront of the national and global stage. In 2020 the Black Lives Matter and George Floyd protests and riots dominated headlines, while in 2021 Critical Race Theory surfaced as a major point of contention. Then, though Berry speaks of Vietnam, one could easily replace that with the war in Afghanistan or even just the broader War on Terror. As for the Environment, there has hardly been a more prevalent and constant issue than Climate Change. The push for expanding renewable energy sources, building more electric cars, changing people’s diets, and reducing carbon emissions has been in the national and global discourse for decades now. Yet, as Berry points out, both Civil Rights (race) and the War (of your choice) have been short-lived in their prominence in the public sphere. This is not to say that racial issues have disappeared necessarily, but neither the protests of 2020 nor Critical Race Theory have actually lasted very long in terms of how important they are perceived as being and how much they dominate the political sphere. The protests came and went, and the Critical Race Theory debate has mostly given way to debates surrounding COVID-19 regulations and mandates (at least for now). Afghanistan is a similar story. While it took over headlines for a month or two, it has practically disappeared from the news and from public discourse. I doubt many people are actively thinking about our withdrawal and defeat at all, and likely will not remember it until it appears in midterm election advertisements.

Read all of "Wendell Berry’s “Think Little” Remains Relevant Today" by John Thomas at The New Utopian,.

Russell Moore on Wendell Berry's possible response to Lee statue removal

Around the time that I had sent my response to the student, I was out at the poet and novelist’s farm, where at his kitchen table I awkwardly brought up the subject of Lee. I say “awkwardly” because I was quite sure that Berry would disagree with my counsel. After all, I had just read a defense he’d made of Lee, and I was sure he would think that the picture’s removal was one more example of a mobilized and rootless modern society that refused to even remember the past.

Other than the one essay, however, I really had no reason to guess his response. Berry, after all, is an agrarian writer but decidedly not in the strain of “moonlight and magnolias” Southern agrarianism, which at best whitewashes and at worst romanticizes the violent white supremacist caste system of old Dixie. To the contrary, he has written poignantly on the “hidden wound” of white supremacy and the damage it has done.

Read all of "Good Riddance to the Robert E. Lee Statue" by Russell Moore in Christianity Today.

On the 50th anniversary of Wendell Berry's book on racism

Berry begins The Hidden Wound by reflecting on personal experience, including stories shared in childhood. Learning about his great-grandfather selling an “unmanageable” slave brought home to him the inescapable brutality, the “innate violence,” of slavery. The violence was systemic, and every slave owner complicit. Even a master who did not want to use cruelty had to exercise at least the cruelty of abandonment: selling the slave into cruelty somewhere else.

As Berry notes, many accounts of Southern culture were unable to face this. The oddly nostalgic bookKentucky Cavaliers in Dixie used “a poeticized, romanticized, ornamental gentlemanly speech, so inflated with false sentiment as to sail lightly over all discrepancies in logic or in fact, shrugging off what it cannot accommodate, blandly affirming what it cannot shrug off.” Looking for models of honest treatment of race, Berry even found much Christian preaching evasive, and much Christian practice hypocritical.

Berry saw racism as something constructed to protect a sensitivity. He compares racism to Puritanism; the two “have meshed so perfectly in the United States” because both are contrived to insulate uncomfortable lies from being exposed by the uninhibited honesty of childlike candor. They deny something in human nature in order to enforce an oppressive code of behavior.

Read all of "Race & Anti-fragility" by Joshua P. Hochschild at Commonweal Magazine.

Wendell Berry files suit to prevent removal of UK mural

The University of Kentucky should halt the removal of a controversial 1930s-era mural that has been at the center of years of race-related, on-campus debate, a national group against censorship and a contemporary Black artist said in a letter to the university.

The National Coalition Against Censorship and Karyn Olivier — the artist who created a 2018 piece meant to contextualize the mural — say that the university shouldn’t take down the Ann Rice O’Hanlon piece that depicts Black workers, possibly slaves, because the mural’s removal would mute Olivier’s accompanying piece “Witness.”

Additionally, a complaint has been filed by renowned Kentucky poet and novelist Wendell Berry and his wife, Tanya, in Franklin County Circuit Court against the University of Kentucky and UK President Eli Capilouto, according to an attorney in the case. The complaint includes a request for an injunction to halt the removal or damage of the O’Hanlon Mural or the “Witness” installation by Olivier.

Read all of "Wendell Berry lawsuit, Black artist try to protect University of Kentucky mural" by Rick Childress and Morgan Eads at Lexington Herald-Leader.

See also: "Removing an offensive mural from the University of Kentucky isn’t ‘racial justice’" by Karyn Olivier at The Washington Post.

 

See also: "Author Wendell Berry sues University of Kentucky to stop removal of controversial mural" by Associated Press at WDRB.com.

 

See also: "Students’ Calls to Remove a Mural Were Answered. Now Comes a Lawsuit" by Julia Jacobs at The New York Times.

 

See also: "Wendell Berry’s defense of mural on UK campus shows ‘Hidden Wound’ was superficial after all" by Bill Turner at The Lexington Herald-Leader.

 

See also: "What should we make of the curious case of Wendell Berry and a University of Kentucky painting?" by Rodney Kennedy at Baptist News Global.

 

See also: "Here’s how UK could end the mural debate, stop a costly lawsuit and improve higher education" by Linda Blackford at The Lexington Herald-Leader.

 

See also: "Embattled: The Story of the O’Hanlon Fresco" by Abby Wasserman at Front Porch Republic.

 

See also: "UK: Famed Kentucky writer must butt out of decision on mural stirring racial conflict" by Morgan Eads at Lexington Herald-Leader.

 

See also "UK's plan for Memorial Hall mural dishonors honest thought" by Wendell Berry at Lexington Herald Leader (22 December 2022).

 

See also: "Judge dismisses Wendell Berry’s lawsuit against UK, but says controversial mural must stay" by Monica Kast at Kentucky.com