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Wendell Berry receives Kentucky Humanities Award

FRANKFORT, Ky. — Kentucky author Wendell Berry received the inaugural Kentucky Humanities Carl West Literary Award presented in a ceremony Thursday at the Paul Sawyier Public Library in Frankfort.

Presented by Kentucky Humanities, the literary award recognizes an individual who has made a significant impact on the literary culture of the commonwealth.

The award is named in honor of Kentucky journalist Carl West, who established the Kentucky Book Fair and was the driving force behind Kentucky’s premier literary event for more than 30 years.

Read the complete article HERE at The Lane Report.

Also see "Berry the perfect pick for Carl West Literary Award" in Frankfort's The State Journal.


On Wendell Berry's work (especially the essays)

There is always movement in Wendell Berry’s sentences. He writes about what he has experienced, what he has learned, and always with humility for what he does not know. The natural world is his primary teacher: its rhythms, its largesse, its mysteries. And in the essays, the natural world often reflects how change in humans is also natural, inexplicable and possible. I think this is what many who love his writing appreciate most about Berry, whether they realize it or not. For his Christian readers, this becomes an expansion of what we understand as conversion.

Read all of "On the Road with Wendell Berry" by Jon M. Sweeney at America Magazine.


Meeting Wendell Berry

Nearly every weekday, Wendell or his wife, Tanya, will stop by his P.O. box. The retail hours of the post office are just 10:30 am to noon, but Berry, a prolific letter writer, is a frequent patron. (The mail route in Port Royal offers service on Berry’s road but, like most conveniences, he doesn’t use it. “We want to support the local post office,” Berry explains. “We need that post office.”)

Here, in Kentucky, he has seen industry — coal, for example, once one of the state’s biggest employers — fleece the land and the people, sowing resentment. “The idea that rural and urban America describe two economies, one thriving and the other failing, is preposterous,” he tells me. “We’re joined by one economy. And it’s a one-way economy — the sucking and the digging is out here. The delivery is in the city. They’re prospering because they’re plundering their own country.”

The resulting slow bleed of life and self-sufficiency from small towns alarms the author. When Berry was growing up, many people worked at local farms or businesses. Today, nearly everyone is a commuter, working under a boss, and the small farms he remembers have largely vanished. “It’s a very significant change,” Berry says, “from self-employed to employee.”

Recognizing the problem of keeping people living and working in small communities like Port Royal, Berry’s daughter, Mary, founded the Berry Center in New Castle, Kentucky, in 2011. It is a nonprofit with the goal of strengthening the bond between small farmers and the urban communities they serve. Mary says she hoped she could help “give people who want to farm something to come home to.”

Read all of "Wendell Berry is still ahead of us" by Hope Reese at Vox.


Poetic Response to Wendell Berry's Mad Farmer

Jason Rodenbeck has begun a challenge to readers to compose poems as responses to Mr. Berry's "Mad Farmer." His poem begins like this:

I saw the Mad Farmer
outside the city
standing defiant
at the treeline;
I heard his voice
crying out for the wilderness

from the false security
of my sanitized room
I witnessed his
lonesome prophecy
and I felt myself then
for the first time hollow
as I always had been
chasing dreams of
greatness and
manufactured purpose,
empty distractions and
greedy comforts

I heard his voice calling me,
“Forget those! Know your smallness!
Inhabit your incompleteness!
Embrace your partiality, your
connections to this earth and
your neighbor!”

Read all of "for the Mad Farmer" by Jason Rodenbeck at his blog,  Thinking Peacefully.


French reflection on Wendell Berry's thought

Car Berry n’est pas un simple défenseur des intérêts matériels des agriculteurs, ni ne croit naïvement – comme Jefferson – qu’ils sont des citoyens plus vertueux parce que propriétaires ; il défend la qualité du travail des paysans, parce que c’est leur travail qui les rend susceptibles de devenir plus vertueux pour la société. En effet, ils sont intrinsèquement les intendants (stewards) de la nature, cela très précisément parce que leur rapport à la nature n’est pas contemplatif, voire touristique, mais instrumental. Ils sont à la nature ce que pour Péguy les artisans étaient à la matière : ceux qui expérimentent, dans leur travail et pour leur survie, la résistance, la logique propre de ce qui est en face d’eux, de ce dont ils dépendent pour vivre. Un artisan apprend qu’une simple erreur, un petit coup de travers dans son bout de bois ou sa pierre peut rendre caduque toute son œuvre ; il apprend donc à s’adapter à la matière elle-même. Il en va de même pour le paysan qui ne peut pas faire de la glèbe ce qu’il veut, comme il le veut et quand il le veut. Péguy opposait le travail de l’artisan à celui des fonderies, soulignant (peut-être avec un peu de légèreté, d’ailleurs) que lorsqu’une pièce de métal était mal faite, il suffisait de la fondre à nouveau et de la remettre dans le moule.

Read all of “Wendell Berry: paysan, poète et penseur de l’écologie” by Frédéric Dufoing at L'inactuelle.