See also the article by Kate Erbland at Indiewire.
See also the article by Kate Erbland at Indiewire.
Sutterfield synthesizes Wendell Berry’s writings and his vision that our world and our life are gifts to be lived in and through a moral compass focused on ‘the other’, our neighbor. Much of the book fitted neatly with my Benedictine experience of living a virtuous life in a world often neglectful of those spiritual principles.
There is the humility of our creatureliness that comes through a reflective wisdom of interdependence, as Berry says “…that is born from soil…and home.” As Sutterfield’s essays highlight, Berry emphasizes the importance of stability and community of place.
We have come, as Elizabeth Scalia has written, to a generation of strange gods, where ‘virtual community’ is only one step away from imaginary. Sutterfield’s book reminds us of Wendell Berry’s conviction that we are designed to reach out—in our place, whether city dweller or along farm lanes—and touch our neighbor, our land, and embrace our Lord within the creation we were given.
Read the whole review by Margaret Realy at Morning Rose Prayer Gardens.
Mary’s work is steeped in her family’s past in more ways than one. The Berry Center is housed in what was her grandfather’s law office beginning in 1927, an historic building in downtown New Castle. To inform her own practices and the work of the future, important archival work is happening there. Big John was a fervent documentarian. In his career, he kept records of his efforts in law and in farming, as well as proof of the progress and problems around him. His sons followed suit, both continuing to observe the agrarian world where they were immersed. Combined, the efforts of the three offer a keen insight into rural, agrarian life in Kentucky, though much of their work has been lost and scattered in trash bins and forgotten files. But through the Berry Center, their writings are being assembled and organized for pressing work.
Using the writings of her family members and her own vast experiences, Mary is going to pilot a program she hopes will restore what was lost in her hometown.
Applying the principles of the Burley Tobacco Program, Mary Berry hopes to make local cattle agriculture thrive. As it stands, Kentucky has the most beef cattle of any state east of the Mississippi. Still, it’s uncommon for family farms to make a living on cattle alone.
The Local Beef Initiative will begin by taking a group of up to six farmers and placing them in a co-op, similar to the one established by the Burley Tobacco Growers Cooperative. Farmers in the co-op will be required to raise the cows on grass and without antibiotics or hormones, in return for access to parity pricing — achieved by maintaining a relationship with a processor and distributor.
In this scenario, the Berry Center would play the role that the federal government did in the Burley Tobacco Program, putting mechanisms into place, establishing parity pricing, taking the farmers involved out of competition with each other and preventing them from overproducing.
“My hope is that once we get the Local Beef Initiative going that young farmers who are involved will say to their friends, ‘You know, I've done this with the Berry Center ... and I've made some money. You should have a look.’ You could convince farmers that way a lot faster than any of us could convince them just going and knocking on their door.”
Read the complete article by Jodi Cash at The Bitter Southerner.
Wendell Berry’s profound critique of American culture has entered its sixth decade, and in this new gathering he reaches with deep devotion toward a long view of Agrarian philosophy. Berry believes that American cultural problems are nearly always aligned with their agricultural problems, and recent events have shone a terrible spotlight on the divides between our urban and rural citizens. Our communities are as endangered as our landscapes. There is, as Berry outlines, still much work to do, and our daily lives—in hope and affection—must triumph over despair.
Berry moves deftly between the real and the imagined. The Art of Loading Brush is an energetic mix of essays and stories, including “The Thought of Limits in a Prodigal Age,” which explores Agrarian ideals as they present themselves historically and as they might apply to our work today. “The Presence of Nature in the Natural World” is added here as the bookend of this developing New Agrarianism. Four stories from an as-yet-unfinished novel, better described as “an essay in imagination,” extend the Port William story as it follows Andy Catlett throughout his life to this present moment. Andy works alongside his grandson in “The Art of Loading Brush,” one of the most moving and tender stories of the entire Port William cycle. Filled with insights and new revelations from a mind thorough in its considerations and careful in its presentations, The Art of Loading Brush is a necessary and timely collection.
UPDATE 6/25/17: This collection is now titled (somewhat ominously) The Order of Loving Care: Last Agrarian Writings.
UPDATE 7/24/17: The collection has now been (un)re-titled back to The Art of Loading Brush: New Agrarian Writings.
See more information at Counterpoint Press.
Three new authors (including one living one), two returning favorites, and a pair of groundbreaking anthologies are just some of the highlights of Library of America’s list in the first half of 2018. Below is the list of publications for next winter and spring, followed by more detailed descriptions of each new volume.
Port William Novels & Stories
The Civil War to World War II
Nathan Coulter • Andy Catlett: Early Travels • A World Lost • A Place on Earth • Stories
Jack Shoemaker, editor
Library of America #302 / ISBN 978-1-59853-554-9
I read this poem of quiet—of communicating without screens, of living without air conditioning and technology, in order to “make a poem that does not disturb the silence from which it came”—to my husband in our bed at home and we nod and say, “hmmm, yes,” together.
Berry often writes of loss and the quirkiness of community, but his writing spins visions of a world long past: one that is idyllic, beautiful, and ultimately fulfilling. In those moments of reading his poetry, I find Berry’s words affirming of the life we’ve chosen and pushing us to even more difficult choices.
But after nearly a decade of attempting to eschew some of the attractions and amenities of urban life, I’ve also begun to wonder if Berry’s pure ideals are feasible, if this idyllic long ago that he writes about ever really existed at all.
We moved to our farming community on the wings of a Wendell Berry novel eight years ago, hoping for a simpler life, and even taking a brief detour to visit his home in Kentucky as we drove from Washington, D.C. to the rural Midwest. For eight years, we gave all we were able to give to the ideals of sharing our lives with our neighbors, worshipping together, eating together, and growing good food.
Eventually, we decided to leave, not because we didn’t believe in the ideals of hospitality, simplicity, and love of neighbor anymore, but because the community began to crumble under the weight of flailing leadership, clashes of vision, financial strain, and broken relationships.
Read the whole article by Christiana Peterson at Image.
Ian McMillan celebrates the rural in Reformation poetry and in contemporary work, with a new commission by Luke Wright (inspired by Hans Sachs' 1523 poem 'The Wittenberg Nightingale'). He is also joined by the poets Wendell Berry, the Jamaican Poet Laureate Mervyn Morris and art historian Rosemary Shirley.
Poet and theatre maker Luke Wright's new poetry collection 'The Toll' is published by Penned in the Margins, and he is also touring a show based on the book. Luke's first play 'What I Learned from Johnny Bevan' won The Saboteur award for 'Best Spoken Word Show', and his new play 'Frankie Vah' will have its premiere at the Norfolk & Norwich Festival (26-27 May).
Mervyn Morris is the Professor Emeritus of Creative Writing and West Indian Literature at the University of the West Indies in Jamaica. His collected poems, 'Peelin Orange', is published by Carcanet.
Rosemary Shirley is a lecturer in art history at the School of Art, Manchester Metropolitan University and her work focuses on contemporary rural contexts. Rosemary has curated the exhibition 'Creating the Countryside' which is at Compton Verney Gallery until June 18th.
Wendell Berry is a poet, novelist and farmer who has been awarded The National Humanities Medal and the Richard C. Holbrooke Distinguished Achievement Award. 'The World-Ending Fire: The Essential Wendell Berry' is published by Penguin.
Listen to the program (which vanishes 29 days from now) at BBC Radio 3.
As many of you know, I like quoting Wendell Berry and I think he is very pro-bee.
“The word agriculture,” Wendell Berry writes in The Unsettling of America. “After all, does not mean ‘agriscience,’ much less ‘agribusiness’. It means ‘cultivation of the land.’ And cultivation is at the root of the sense both of culture and cult. The ideas of tillage and worship are joined in culture. And these words all come from an Indo-European root meaning both ‘to revolve’ and ‘to dwell’. To live, to survive on the Earth, to care for the soil, and to worship, are all bound at the root to the idea of a cycle.”
Bees network with flowers and with the hive. This network creates better plants, better harvests. The better plants wither and die, turning into better soil. The soil then houses better plants. The cycle continues. The bees network seeks to co-operate with the local good and make it better; if the bees were ever to rob, exploit, cut-off, or steal then the honey would be threatened.
“If we corrupt agriculture we corrupt culture,” Wendell Berry adds. “For in nature and within certain invariable social necessities we are one body, and what afflicts the hand will afflict the brain.”
A network of bees-when doing what is good- will bring good to the neighbourhood, the land.
A friend of mine once borrowed her teenage sons’ car and it smelled like a sick boy’s locker room. When the boy came home, she insisted on why he never cleaned it. He insisted he did but there was another reason for the smell. A quiet fellow, he simply apologized and went to his room.
The next day, she saw her son driving out of his school and she unintentionally followed him home (you do this, at times, as a parent of a teenager). She watched him make several stops, all to people who were digging in trash cans along the way. Her son would go in the back of his car and offer bags of recycled bottles (Or “empties” as we call them in Alberta) to these folks. He would talk to them, listen, and in one case, he prayed with them.
When they both got at home, she confronted him and he confessed that he was collecting all of the recycles from his church, school, and work for the purpose of getting to know the homeless population of his neighbourhood. “They’re invisible,” he said. “And I think it’s best for everyone if they weren’t.”
Her son was acting like a bee.
Read the whole article by Eric Kregel at ericjkregel.
You might not think of Wendell Berry as a man to go to for advice about sex, but you’d be mistaken. The conservation and organic farming icon has plenty to say about it, scattered in various writings. And in fact we can see Berry’s communitarian conservatism coming out pretty clearly when he starts up on sex, marriage and family. I don’t mean that he turns all “leave it to Beaver.” Berry’s actually got a sexier view of sex than most of today’s Tinder aficionados. The sexiness of it lies in the humanness of it–its “necessary, precious, and volatile power.”
We are trained to think that community in itself is stultifying, and in particular that any community attention to sexual behavior is oppressive on its face. And indeed it has sometimes been–brutally oppressive to gay people and others whose private sexual behavior became a public concern. But contrarian Berry points out that when community is destroyed, we are left with only two spheres–the private sphere and the abstract “public.” Into the void left after the destruction of community you get predatory capitalism, better known as corporate exploiters of sexual insecurity.
Read the whole piece at Conserve.
If I could, I would thrust a copy of Wendell Berry and the Given Life by Ragan Sutterfield into the hands of everyone I know. Here’s why:
Sutterfield’s book is a terrific introduction to an esteemed man of letters. Wendell Berry is a poet, novelist, essayist, conservation activist, and pioneering agrarian who advocates for sustainable agriculture. Thus Berry is a man whose legacy is equally remarkable for his literary writings as well as for his pioneering work and continuing leadership in the field of responsible agrarianism. If you patronize local farmer’s markets, or if your default setting inside grocery stores is to choose local organic produce, then you have Wendell Berry to thank.
Sutterfield maintains that Berry’s work is important because it speaks to our moral integrity at the same time as it addresses our mortal future. You might say that Berry is Rachel Carson 2.0. Berry brings science, generations of farming history, startling literary brilliance, and a deeply Christian point of view all to bear on discussions of the conservation crisis. On one level, it is crucial for more people to hear Berry’s clarion call to rewind our culture, to back away from industrialism, purely in the interests of survival. On another level, Berry speaks to our moral culpability in the ruination of families, communities, and the planet as a result of our failure to obey the most basic of God’s directives to love thy neighbor.
Sutterfield argues that Berry is a sage, a lamenting prophet who connects the dots between how we live and the state of our souls. Was this what God intended when he handed over his creation to us? Is this the role we were meant to play as caretakers? Sutterfield distills a diverse body of work published over the course of nearly sixty years; in so doing, he performs the invaluable service of making the ideas of a great Christian thinker more accessible to a wider audience.
Read the whole review by Maura Zagrans at The Catholic Book Blogger.