The film [The Seer: A Portrait of Wendell Berry, directed by Laura Dunn] ignores the tremendous benefits of new farming techniques, not to mention technology all around. Yes, it’s cute that Berry types his manuscripts on an old manual typewriter with a worn-out ribbon, but I bet his publishers and typesetters think differently. Further, the aesthetic beauty of the film itself results from new technologies that allow digital shooting, sound recording, graphics and editing. Anyone who recalls the old method of film-splicing with razorblades and tape certainly can relate to the benefits of advancing technologies in contemporary editing booths. Shame this irony was lost on Dunn and her fellow filmmakers.
But our curmudgeon persists on romanticizing the old ways: “We haven’t valued farmers or farming so we’re losing them,” he intones. Forgive me for saying this, but that’s as much malarkey as bemoaning the scarcity of blacksmiths in this day and age, or this: “You can’t love traditional values and love contemporary agriculture at the same time,” Berry says. Seriously?
Read it all at Acton Commentary.