Wendell Berry's "Our Only World" reviewed
Interview with Laura Dunn about her Wendell Berry film

Reading Wendell Berry in the Classroom

A week ago we took up Berry’s “That Distant Land,” 25 or so short stories about the Port William “membership,” a life together in and around a small town on the banks of the Kentucky River. In their different ways the stories are each a window into the glory and the ruin of the human heart. The most remarkable, unexplainable kindness and honor and generosity, and the worst sort of indifference and malice and selfishness— all mixed up together, in your heart and mine.

Because of course, that is the gift of a good story– we see ourselves in it. We recognize the characters because they are like us, able to do good and able to do bad at the same time. But that is where the words “meant” and “supposed” and “ought” become problematic. Whose to say what is good and bad? A supposedly moral majority? Perhaps we protest loudly, “Good is just a social construction.” Or maybe it is only me and mine, because justice is only and ever “just us”?

I offer them Berry as a way into this conversation about complex things. I want them to read and reflect, addressing Walker Percy’s argument that “Bad books lie. They lie most of all about the human condition.” What do you see in Berry’s fiction that gives you eyes to see more clearly into the human condition? That is my question.

Read more at The Washington Institute for Faith, Vocation & Culture.


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