Much of the documentary depicts Henry County, where Berry was born in 1934 and returned to in 1965, buying a farm in the land of his birth. Indeed, this Kentucky farmland becomes a recurring character in Look & See, just as on the urban flipside, say, New York is in Woody Allen’s 1979 Manhattan. Henry County provides the documentary with a sense of place, where Wendell’s philosophy is deeply rooted — and where, over the years, the seasonal rhythms of family farming and an agrarian way of life are being eroded and upended.
At the heart of Look & See, and what makes it important viewing for environmentally minded moviegoers, are Berry’s trenchant, urgent arguments against the industrialization of agriculture and in favor of family farms. Berry blurs the distinction between art and life as he critiques the consolidation of American farming in the pursuit of greater efficiency, productivity and profits, at the expense of the spiritual aspects of humans being planted in and connected to the land. In news footage Berry is seen debating President Richard Nixon’s Secretary of Agriculture, Earl Butz, an acolyte of maximizing profit through assembly line-type, increasingly technological methods of mass farming.
In his poetry and activism, which often intersect, Wendell advances a profound critique of corporate capitalism that ravages the tillers of the earth. The Kentuckian argues that industrialization and the mechanization of agriculture replaces traditional rural values with urbanism. In Look & See the poet/activist comes across as the champion of the common man and woman, advocating for a contemporary Jeffersonian democracy, with the family farmer at the heart of liberty.
Read the whole article by Ed Rampell at Earth Island Journal.