As the contents show, the collection consists of a banquet of books beginning with The Broken Ground in 1964 and continuing through the 2010 book, Leavings. Reading the poems along this timeline can be especially instructive if you’re a poet in search of a mentor, which the poetry itself can be.
Wendell Berry, however, won’t be likely to read the poems with you. As the opening poem, “The Country of Déjà vu,” explains: “My old poems – I like them all/ well enough when they were new,” but now “I have no need to go back to” them. This doesn’t seem to express dissatisfaction but rather declares no particular need for living in or revisiting the past.
Although written as a tribute to a fellow poet and Kentuckian, “A Man Walking and Singing” shows “His singing becomes conglomerate/ of all he sees,/ leaving the street behind him/ runged as a ladder/ or the staff of a song.” And then in “The Design of the House,” we see “the flower/ forgets its growing,” which the very timeline in a collection of memorable poems might be less inclined to let a poet do.
Read more by Mary Harwell Sayler at Poetry Editor & Poetry