In his typically unassuming way, Berry has demonstrated a profound acuity regarding the art’s sacramental relationship to nature. Furthermore, the brilliance of his insight resides in the fact that, while he speaks sacramentally, he remains unencumbered by doctrinal baggage. For Berry, nature is a mysterious gift given and giving, and art is a medium which mediates its grace. On its own, this naturalistic sacramentalism will be satisfying neither to those who demand a robust Christian orthodoxy nor to those who adhere to a naturalistic viewpoint. Yet a naturalistic sacramentalism, as articulated by Berry, opens a space where both the distinct discourses of religion and science might intersect.
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