Reflections on LoA's first Wendell Berry volume
An audio interview with Wendell Berry

Review of Wendell Berry UK poetry collection

This column is usually reserved for new collections, but there is a reason to break this rule for Wendell Berry. It is extraordinary that he is not better known. I was on the verge of saying he should be a household name, but households have never been his thing. His selected verse, in a new edition by Penguin, is the work of an outdoorsman; it aspires to Gerard Manley Hopkins’s idea that nature is, for all the depredations, “never spent”. This is poetry to lower blood pressure, to induce calm.

Berry’s gift, as a Kentucky farmer and as a writer, is to root himself as a tree might – not to commandeer nature but to cherish it. I do not think it fanciful to see these poems as a form of manual labour – of necessary work. The title poem – his best known – is, at the same time, a secular prayer. The language is slightly churchy, which might not be to everyone’s taste, although there is pleasure in seeing church and meadow come together harmoniously. Berry repeatedly finds a remedy in nature, yet never comes to it in quite the same way.

To read the whole review by Kate Kellaway, go to The Guardian.


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