Wendell Berry, the recent film, and the economy
An interview with Mary Berry concerning Wendell Berry and the Given Life

New Wendell Berry story at Threepenny Review

At last full of the knowledge of the wonder it is to be a man walking upon the earth, Andy Catlett is past eighty now, still at work in the fashion of a one-handed old man on what still he often calls in his thoughts the Riley Harford place, the name that has belonged to it for at least a hundred and fifty years. As a farm perhaps never better than marginal, the place in its time has known abuse, neglect, and then, in his own tenure and care, as he is proud to think, it has known also healing and health and ever-increasing beauty.

He has supposed, he has pretty well known, that some of his neighbors in Port William and the country around had thought, when he and Flora bought the place and settled in it, that they would not last there very long, for it was too inconvenient, too far from the midst of things, too poor. And so Andy has delighted a little in numbering, as disproof and as proof, the decades of their inhabitance: the 60s, the 70s, the 80s, the 90s. And now they have lived there more than half a century, long past the doubts and the doubters that they would last. Now it has become beyond doubt or question their place, and they have become its people. They have given their lives into it, and it has lived in their lives.

Read the whole story ("The Art of Loading Brush") at The Threepenny Review (and think about subscribing!)

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