In the sidebar to your right under Content, you will find pages with many resources related to Mr. Berry's work.

This site is not owned, operated or sanctioned by Mr. Berry, whose disapproval of computer technology is well-documented. "I hear that I have a website, but I didn't do those things. My instrument is a pencil."

The one person responsible for all of this is me, Br. Tom Murphy (btwb@brtom.org). I am not a personal friend or employee of Mr. Berry and am thus not able to arrange interviews or appearances by him.

Please support the work of The Berry Center: "like" them at Facebook and follow at Twitter. And whenever possible, please support your local, independent bookstores.

Thanks for stopping by.

Illustrated Wendell Berry Work Published


On returning just now from two weeks of long walks, quiet, cows, and coyote in rural Kansas, I find that this recent publication from Counterpoint has arrived. It is the perfect welcome home.

Roots To The Earth is rich with eight poems and a recent short story by Mr. Berry, accompanied by exquisite wood engravings by Wesley Bates.

Counterpoint explains how it came to be:

In 1995, Wendell Berry’s Roots to the Earth was published in portfolio form by West Meadow Press. The wood etchings of celebrated artist and engraver Wesley Bates were printed from the original wood blocks on handmade Japanese paper.

In 2014, this work was reprinted along with additional poems. together with Bates’ original wood engravings, and designed by Gray Zeitz, Larkspur Press printed just one hundred copies of this book in a stunning limited edition.

Now it is with great pleasure that Counterpoint is reproducing this collaborative work for trade publication, as well as expanding it with the inclusion of the prize-winning never before published in book form short story, “The Branch Way of Doing,” with three additional engravings by Bates.

Wendell Berry - Wes Jackson Conversation Sold Out

The Schumacher Center has announced that the October 22 conversation between Wendell Berry and Wes Jackson (The Land Institute) has been sold out. But the event will be filmed, so watch The Schumacher Center for news of that.

The Center has described the event as follows:

On Saturday October 22nd at 7:00 pm, award winning author Wendell Berry and The Land Institute's co-founder Wes Jackson will share the stage at the historic Mahaiwe Performing Arts Center in the heart of Great Barrington, Massachusetts. They will hold a conversation about the 50-Year Farm Bill, their work, and their long friendship and collaboration in support of rural communities.
The occasion is the 36th Annual E. F. Schumacher Lectures, a tradition that Mr. Berry and Mr. Jackson launched when they spoke to a full house in October of 1981 on the theme of People, Land, and Community.  Over the years the Annual Schumacher Lectures have provided a platform for some of the most powerful voices for an economics that supports both people and planet – voices that include Jane Jacobs, Bill McKibben, Winona LaDuke, Van Jones, Judy Wicks, and Otto Scharmer.
Much has changed since the first Annual Lectures. The promise of the global economy has faded in the face of ever-greater wealth inequality and environmental degradation. There is a groundswell of interest in building a new economy that is just and recognizes planetary limits. All of us at the Schumacher Center for a New Economics are delighted that Wendell Berry and Wes Jackson have accepted our invitation to come back and share their perspectives on how far we have come, where we are, and where we believe we should go next.

For more, visit The Schumacher Center for a New Economics.

Follow The Schumacher Center at Twitter.

Study of Wendell Berry and Higher Education To Be Published

The University Press of Kentucky will be publishing a study of Wendell Berry's thoughts about higher education at some point in 2017.

Drawing on Berry’s essays, fiction, and poetry, Jack R. Baker and Jeffrey Bilbro illuminate the influential thinker’s vision for higher education in this pathbreaking study. Each chapter begins with an examination of one of Berry’s fictional narratives and then goes on to consider how the passage inspires new ways of thinking about the university’s mission. Throughout, Baker and Bilbro argue that instead of training students to live in their careers, universities should educate students to inhabit and serve their places. The authors also offer practical suggestions for how students, teachers, and administrators might begin implementing these ideas.

Baker and Bilbro conclude that institutions guided by Berry’s vision might cultivate citizens who can begin the work of healing their communities—graduates who have been educated for responsible membership in a family, a community, or a polity.

See more information at The University Press of Kentucky.

Wendell Berry Speaks at The Land Institute

Wendell Berry doesn't think many people take farmers seriously.

"Farmers may be the last group even liberals laugh at," Berry, a nationally recognized poet, novelist, farmer and environmental activist, said Sunday morning at the Prairie Festival at The Land Institute.

"But no one, no matter how exalted, doesn't depend on farmers."

 Delivering the Strachan Donnelley Lecture on Conservation and Restoration, Berry said farmers have been hindered by government subsidies and overproduction in response to market forces.

"Those constraints and incentives reward poor work and are a waste of resources," he said.

Read more at Salina Journal.

Two Birds Film Changes Wendell Berry Film Title

Two Birds Film has announced that the film formerly known as The Seer (formerly known as Forty Panes) will now be known as LOOK & SEE: A Portrait of Wendell Berry.

Two Birds Film explains:

"We also decided to change the film's title after learning Mr. Berry had misgivings about being labelled a prophet. There were a few other reasons for a title change, but that alone was sufficient." 

I personally preferred the earlier Forty Panes, but understand that that may have suggested a narrow structure that the film couldn't live up to. Titles can be such pesky imps, but "A rose by any other name ..." May this important movie find much success.

UPDATED: I've been corrected about the original title. It was Forty Panes, not Forty Windows and was dropped because people heard "Forty Pains". Thanks, Two Birds!

WorldArk Review of "The Seer: A Portrait of Wendell Berry"

When a New York Times reporter asked Wendell Berry whom he would like to write his life story, he shuddered. “A horrible thought. Nobody. As the only person who ever has lived my life, I know that most of it can never be documented, is beyond writing and beyond words.” So you can imagine the challenge documentary filmmaker Laura Dunn faced when she set out to create a film about Berry—a man famous for not owning a computer or a television, and harboring a general distrust of all things mediated by screens.

Dunn’s previous film, The Unforeseen, features a poem by Wendell Berry. She said she was surprised by how many people asked her about the poem’s author. While Berry was a transformational writer for Dunn, many people in her audiences had never heard of him. She decided her next film would focus on the writer and farmer, a man Michael Pollan credited as the instigator of the “national conversation around food and farming.”
Berry refused to appear on camera for the film, so Dunn had to reimagine her approach. The result is a powerful documentary that seeks to not so much look at Berry as with him. The Seer tries to capture through Berry’s eyes a vision of American agriculture as farming became more industrialized and many agricultural communities faded away.

Read the complete review by Ragan Sutterfield at the WorldArk blog.

Forthcoming Book about Wendell Berry

To be published in February, 2017.

Wendell Berry teaches us to love our places—to pay careful attention to where we are, to look beyond and within, and to live in ways that are not captive to the mastery of cultural, social, or economic assumptions about our life in these places. Creation has its own integrity and demands that we confront it.

In The Place of Imagination, Joseph R. Wiebe argues that this confrontation is precisely what shapes our moral capacity to respond to people and to places. Wiebe contends that Berry manifests this moral imagination most acutely in his fiction. Berry’s fiction, however, does not portray an average community or even an ideal one. Instead, he depicts broken communities in broken places—sites and relations scarred by the routines of racial wounds and ecological harm. Yet, in the tracing of Berry’s characters with place-based identities, Wiebe demonstrates the way in which Berry’s fiction comes to embody Berry’s own moral imagination. By joining these ambassadors of Berry’s moral imagination in their fictive journeys, readers, too, can allow imagination to transform their affection, thereby restoring place as a facilitator of identity as well as hope for healed and whole communities. Loving place translates into loving people, which in turn transforms broken human narratives into restored lives rooted and ordered by their places.

Find more information at Baylor University Press.