Asserted and standard we block the story with our faces. We go on
blocking and asserting, standing up for all the truth we spent on
the nuisance of becoming whole in an optional portrait, our plots
I MEAN MINE our plots come second. Our faces come first because I
enjoy mirrors more than just about anything: your mirrors come or
matter the most. Then MINE which are of course overfed and softer
because we accept this softness as necessarily parting from youth
and a tale of Deliverance bright and custardy as a minute in MINE.
Comments